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Q: Christy, what makes you different from every other vocal coach? What are your qualifications?
 
A: I’m glad that you asked that, Billy. I am an auditioning actress, so I definitely know what it is like to audition because I do it every day. I’m also a writer and comedienne, so I tend to approach auditions in a unique way and always look at the comic potential in every piece.
 
Q: Even dramatic pieces?
 
A: Oh no, Billy. I am able to turn my “legit theatre” button on when called for… but one thing that I like to do for a comedic audition is to take a very serious monologue or song and make it funny. For my “Evil Dead” audition, I sang “Your Daddy’s Son” from “Ragtime” to a black baby as I stabbed it with a toy shovel, ripped out its ketchup-stained innards and buried it in coffee grinds. And I got the part. Hooray!
 
Q: But you haven’t booked any Broadway shows. How will you be able to book one for me?
 
A: Umm… ouch, Billy. Okay. Well, I’ve been in New York for over a year and while I have yet to book a Broadway show, I have already performed in three high-profile Off-Broadway shows, so I’m really grateful for where I am in my career. I was fortunate enough to book my first show, “Elvis and Juliet” with my hero Fred Willard, from an EPA, so I know how to help you stand out in an open call!
 
Q: I’m looking for a monologue that the casting director will not have heard 1,000 times. Do you know of any?
 
A: Yes! Some of my favorite audition pieces come from obscure places, like deleted scenes from movies, old sketch comedy shows, and even infamous interviews. Even though every teacher has said never to do this, no casting director has ever been upset. They just laugh. Really hard.
 
Q: I have a callback tomorrow and have no idea how to make this material work. Can you help me?
 
A: Yes, I can, Billy! Don’t worry, we will find what works for you. I will never try to impose my sense of humor on anyone else. We will work together to see what suits you and the character and it will be organic and fun. As a sketch comedy director, I try to observe the performer’s mannerisms and demeanor and work with it to bring out what is funny with what the performer brings to the character naturally.
 
Q: Well, I’m sold. How do I get in contact with you?
 
A: Please read the rate information and choose whatever seems right for you. You can then email me at Christy@christymcintosh.com. PayPal options coming soon!
 
 
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Rates and Frequently Asked Questions
4 packages to choose from:

  1. Christy appeared off-Broadway last year in “Elvis and Juliet”, opposite Fred Willard and David Rasche
  1. “I once got a job by singing ‘Your Daddy’s Son’ from Ragtime to this dead baby.”
RATES
Package 1: (BASIC) Includes one half hour phone call or AIM/iChat session discussing monologue/song options that meet your audition requirements and how to make it work for you.  Sheet music/monologue copies not included, but are available for an extra charge  $30.
Book a Coaching Now!  
Contact Christy here
 
FAQ
Package 2: (STANDARD) One hour private monologue coaching (materials included) or two half hour phone calls/AIM/iChat sessions discussing audition material options. Sheet music or monologue copies included.  $50. Package 3: (DELUXE)    Full service coaching for musical theater auditions:  One hour private vocal coaching with Christy & an accompanist.  Blocking and choreography (if needed).                                         Sheet music included. $75. Package 4: (CUSTOM) Includes any combination of phone calls, emails, or private coachings that you require. We will tailor a package that fits your audition needs.  Pricing varied.
 
 

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